vivre hors sol

Monitoring Mobile Experiences

Marc Chataigner, Strategist, Project Director @axance, co-founder of @super_marmite, #ux #service #design #social #mobility #city

For more info, check LinkedIn, Twitter, a trendbook for our digital lives named Matter , some inspirational stuffs gathered during my web promenades called Webtourism, some social networks innovations and new business models gathered as Social Networks Future, and service design and customer experiences around the idea of Service Design Thinking

January 23, 2012 at 10:26am



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Piracy is part of the digital ecosystem | Monday Note
“These stats offer a compelling proof that creating legitimate commercial alternatives is a good way to contain piracy. The conclusion is hardly news. The choice between pirated and legit content is a combination of ease-of-use, pricing and availability on a given market. For contents such as music, TV series or movies, services like Netflix, iTunes or even BBC iPlayer go in the right direction. But one key obstacle remains: the balkanized internet (see a previous Monday Note Balkanizing the Web), i.e. the country zoning system. By slicing the global audience in regional markets, both the industry (Apple for instance) and the local governments neglect a key fact: today’s digital audience is getting increasingly multilingual or at least more eager to consume contents in English as they are released. Today we have entertainment products, carefully designed to fit a global audience, waiting months before becoming available on the global market. As long as this absurdity remains, piracy will flourish. As for the price, it has to match the ARPU generated by an advertising-supported broadcast. For that matter, I doubt a TV viewer of the Breaking Bad series comes close to yield an advertising revenue that matches the $34.99 Apple is asking for the purchase of the entire season IV. Maintaining such gap also fuels piracy.”
I couldn’t agree more.

Piracy is part of the digital ecosystem | Monday Note

“These stats offer a compelling proof that creating legitimate commercial alternatives is a good way to contain piracy. The conclusion is hardly news. The choice between pirated and legit content is a combination of ease-of-use, pricing and availability on a given market. For contents such as music, TV series or movies, services like Netflix, iTunes or even BBC iPlayer go in the right direction. But one key obstacle remains: the balkanized internet (see a previous Monday Note Balkanizing the Web), i.e. the country zoning system. By slicing the global audience in regional markets, both the industry (Apple for instance) and the local governments neglect a key fact: today’s digital audience is getting increasingly multilingual or at least more eager to consume contents in English as they are released. Today we have entertainment products, carefully designed to fit a global audience, waiting months before becoming available on the global market. As long as this absurdity remains, piracy will flourish. As for the price, it has to match the ARPU generated by an advertising-supported broadcast. For that matter, I doubt a TV viewer of the Breaking Bad series comes close to yield an advertising revenue that matches the $34.99 Apple is asking for the purchase of the entire season IV. Maintaining such gap also fuels piracy.”

I couldn’t agree more.

Notes

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